I went into The Love Witch with little expectation other than this was going to be a tongue-in-cheek horror/comedy throwback to the (thankfully?) bygone era of sexploitation films, and for all intents and purposes, its veneer is exactly that. But it’s actually not. At all. On the contrary, Anna Biller’s 2016 film is a modern feminist fantasy that reverses the roles of misogyny in film, and I am almost embarrassed to say that it made me self-reflect more than I could ever … Continue reading The Love Witch Will Leave You Spellbound